This CD package for Everett Laroi is being built as a collage of visual fragments rather than a single polished statement. The work draws on the editorial disruption of David Carson, the typographic precision and image-making of Matt Willey, and the productive accidents of a “hair in the gate” aesthetic. Texture, interruption and imperfect alignment are used intentionally—not as decoration, but to give the package a sense of evidence, movement and human presence.